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  • Enter
  • Recent work 2024 - 25
    • Illuminations
    • Veil
    • My Octopus Lover
    • Miracles
    • Crossings
    • Surrey Homes
    • Jubilee Hotel
  • Work 2006 - 23
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hibernia works on paper 2021
    • Hunting the Wodewose 2019 - 20
    • Limerence 2019
    • Into the Meadow of Certainty 2018 - 19
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind From the Mountains 2017
    • A Cold Wind from the Mountains 2012 - 16
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Family 2012
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Watercolours Queens 2008 - 10
    • Collages 2009
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact

Eleanor Moreton

  • home
  • Enter
  • Recent work 2024 - 25
    • Illuminations
    • Veil
    • My Octopus Lover
    • Miracles
    • Crossings
    • Surrey Homes
    • Jubilee Hotel
  • Work 2006 - 23
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hibernia works on paper 2021
    • Hunting the Wodewose 2019 - 20
    • Limerence 2019
    • Into the Meadow of Certainty 2018 - 19
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind From the Mountains 2017
    • A Cold Wind from the Mountains 2012 - 16
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Family 2012
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Watercolours Queens 2008 - 10
    • Collages 2009
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact
 

Illuminations

Paintings 2024/25

…return to a world of English and Northern European folk traditions, faerie painting and botanical art. With references to the female patients of the Paris Saltpetrière, Till Eulenspiegl, the silhouettes of Lotte Reiniger, Old English folk tales and Edwardian women illustrators. This is a world of intuition and anti-reason.

EM 2025

Octopuses

Paintings 2024/5

Grotesque, sad and noble, the octopus has a feeling brain in every tentacle.

These works come from a different place, a more interior place. Whilst Crossings and Surrey Homes consider the world as divided by boundaries, in these Octopus works the female protagonist, with eyes closed, appears to soar above it.

Floating in sea or space, she is perhaps a response to the period when I was unable to move physically freely. But still freedom of imagination remains.

EM 2025

Veils

Paintings 2025

I am struck by the way a veil separates the wearer from the world around, makes them unseen (and unheard). In another way, the wearer is turned inwards and can be attending to an interior world.  

EM 2025

Surrey Homes

Paintings 2024/5

July 2025. I am sitting in a café in Surrey, on what was once the A3, but is now a quiet no-through road leading to The Devil’s Punchbowl. I am wondering why I’ve returned and what connects my paintings, not just recently, but in the long-term. By contrast, earlier this morning, I drove 25 minutes up the road from my home to The Bell Hotel in Epping. Though quiet this morning, over the last couple of weeks the The Bell has been the site of demonstrations. These follow the arrest of a resident at the hotel. The demonstrators include people wrapped in the flag of St George, often used to represent English nationalism.

EM 2025

Crossings

Paintings 2024/25

I thought about the way in which the human race creates edges to lock people in or out. And by the extraordinary hardships of people around the world both in staying and in going. The struggles we all face, big and small. These paintings are taken from the film *Beyond Utopia, directed by Ann Shin.

EM 2025

Miracles

Drawings 2024/25

Inspired by the imagined world of conspiracy theorists and painted with a graphite solution on paper, the ‘Miracles’ drawings mix footage of esoteric ceremonies with skies from Medieval ‘Books of Hours’…

EM 2024

Jubilee Hotel

Paintings 2024/25

There had been snowfall….I had the sense that a presence of some kind might be just imaginable. There may be ghosts of the dancers and the piper of the Stranger paintings.

EM 2024

Older works

Paintings 2006 - 23

Hibernia
Stranger
Hunting the Wodewose
Walking in the Meadow of Certainty
A Cold Wind From the Mountains
California Dreaming
Limerence
The Gift of Shit
Absent Friends
I See the Bones in the River
The Ladies of Shalott
Im Wartezimmer
Austrian Men
Queens
My Grandmother’s House


 

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