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Eleanor Moreton

  • home
  • Paintings
    • Miracles
    • Jubilee Hotel 2024
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hunting the Wodewose 2019 - 20
    • Into the Meadow of Certainty 2018 - 19
    • A Cold Wind From the Mountains 2017
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Works on paper
    • Hibernia works on paper 2021
    • Limerence 2019
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind from the Mountains 2012 - 16
    • Family 2012
    • Watercolours Queens 2008 - 10
    • Collages 2009
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact
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The Hungry Ghosts

The series of paintings on cardboard, The Hungry Ghosts, respond to contemporary magazine ‘lifestyle’ images. Painted in a direct way, deliberately undermining the cult of the good painting, painted on an abandoned and abject material, they respond to our own culture’s hunger and excess, of which our desire for the perfect moment and the perfect lover form part. They are paintings in which being seen to live the dream has become the dream.

The realm of the Hungry Ghosts is one of the six realms of existence in Tibetan Buddhist cosmology. The Ghosts have huge hungry stomachs and thirsty mouths, but necks that are too thin to swallow. They can never be sated.

…In this show, I draw on two ideas – the Hungry Ghosts and the Lost Object (from Kleinian psychoanalysis). Both acknowledge and try to describe a sense of loss which drives us in acquisitiveness, addiction, deception, busyness and creativity. I see my own obsessive production of images as an attempt to restore my own Lost Object or feed my Hungry Ghost self.

EM 2012

 

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