• home
  • Paintings
    • Miracles
    • Jubilee Hotel 2024
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hunting the Wodewose 2019 - 20
    • Into the Meadow of Certainty 2018 - 19
    • A Cold Wind From the Mountains 2017
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Works on paper
    • Hibernia works on paper 2021
    • Limerence 2019
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind from the Mountains 2012 - 16
    • Family 2012
    • Watercolours Queens 2008 - 10
    • Collages 2009
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact

Eleanor Moreton

  • home
  • Paintings
    • Miracles
    • Jubilee Hotel 2024
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hunting the Wodewose 2019 - 20
    • Into the Meadow of Certainty 2018 - 19
    • A Cold Wind From the Mountains 2017
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Works on paper
    • Hibernia works on paper 2021
    • Limerence 2019
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind from the Mountains 2012 - 16
    • Family 2012
    • Watercolours Queens 2008 - 10
    • Collages 2009
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact
Beth 1, 1.jpg
Beth 1, 3.jpg
Fancy Queen with Orange Lips.jpg
Queen Daphne.jpg
Queen VSW.jpg
Singing Queen Orange Emmylou.jpg
Singing Queen Lime Emmylou.jpg

Home

Queens

The Queens are based on women who have ruled in their own right.  They have discovered an autonomy,  although this is always with the aid of an attribute which symbolises the absent masculine.  In the case of the Singing Queens, this attribute is the voice.

Amongst the Queen paintings … there are the writers George Eliot, Daphne du Maurier and the Danish writer, Isak Dinesen (aka Karen Blixen)...The act of writing, which is to put words into the world, is a penetrating one.  I think Lacan says that words themselves transform our world into a symbolic and patriarchal order. The male attribute of the writer is the phallic pen.

In Eliot and Dinesen’s case, they also adopted a male name, whilst Vita Sackville-West and Vernon Lee chose to wear men’s clothes.

EM 2007

Powered by Squarespace.