| 2012 | Ceri Hand Gallery, London I See the Bones in the River (solo show),
Lion and Lamb Gallery, London, Let the World Slip curated by Simon Willems Bend in the River Gallery, Sheffield, Lincoln, Nottingham, Gainsborough Regrouping with James Quinn Contemporary Art Society, London LEAP Charlie Dutton Gallery, London, Crash |
| 2011 | Jack Hanley Gallery, Frieze, London
Magnus Karlsson Gallery, Stockholm, Make Believe with Armen Eloyan, Ryan Mosely, David Shrigley, Lynette Yiadom-Boakye Ceri Hand Gallery, Liverpool Memory of a Hope Gallery North, Northumbria, Fade Away Art Rotterdam, Ceri Hand Gallery |
| 2010 | Jack Hanley Gallery, New York, The Ladies of Shalott, solo show
Transition Gallery, Fade Away, with Philip Allen, Mali Morris, Clem Crosby, reviewed by Charles Danby in Aesthetica 7 December 2010 Frieze Art Fair, London Jack Hanley, Ceri Hand, Mayfair, Black Hole Hums B Flat, with Juneau Projects, Bedwyr Williams, Mel Brimfield Green on Red Gallery, Dublin, Painting Today The Terrace Gallery, Harewood House, Im Wartezimmer, solo show New Art Gallery, Walsall, Behind the Mask, with Cindy Sherman, Gillian Wearing and Glenn Brown The Terrace Gallery, Harewood House, 21 with David Hockney and Mark Wallinger, reviewed Mark Lawson, Front Row, Radio 4, 27 July 2010 Ceri Hand Gallery, Im Wartezimmer, solo show, reviewed by Jonathan Griffin, Interface, Rob Clark, Guardian 10/4/10, Guardian Pick of the Week, 17/4/10 Art Rotterdam, Ceri Hand Gallery Monika Bobinska Gallery, Stardust Boogie Woogie, group show NADA Miami, Jack Hanley Gallery The Armory Show, New York, Jack Hanley Gallery |
| 2009 | Jack Hanley Gallery, New York, Four Women, with Liana Dragomir, Rachel Goodyear and Megan Sullivan
Ceri Hand Gallery, Manchester Contemporary, Urbis Mall Galleries, London, Threadneedle Prize, selected by Cathy Lomax and Jock McFadyen (catalogue) Vyner Space, Salon 09 Ceri Hand Gallery, VOLTA, Basel APT Gallery, London, Creekside Open, selected by Jenni Lomax Harewood House Home Truths, curated by Kerry Harker, with George Shaw and Michael Raedecker. |
| 2008 | Walker Art Gallery John Moores 25
Galleri Rebecca Kormind, Copenhagen Curious and Curiouser (catalogue) Transition Awopbopaloobop VineSpace Salon 08 Studio 1.1 Gallery Marmite Prize (catalogue) Reg Vardy Gallery, Sunderland A Buried Life (solo), reviewed The Guardian, October 11, Rob Clarke DLI, Durham solo show Workplace Gallery, Gateshead All My Favourite Singers Couldn't Sing Ceri Hand Gallery, Liverpool These Living Walls of Jet Transition Gallery, London The Painting Room |
| 2007 | Durham Cathedral Artist-in-Residence
Norwich Art Gallery East International selected by Matthew Higgs and Marc Chaimowicz (catalogue) Contemporary Art Projects Start a Collection National Gallery of Albania, Tirane 2(007) Pranvere curated by Charles Danby (catalogue) Contemporary Art Projects Close At Hand curated by Nicky Hodge and Gavin Maughfling, The Surgery Painted Ladies curated by Eleanor Moreton with Rose Wylie and Emma Talbot (catalogue) Fosterart Winter Show |
| 2006 |
Fosterart Summer Show
Bearspace Phantom, (Two person), reviewed TimeOut issue 1868, 2006, Martin Coomer Fosterart Winter show |
| 2005 |
Bearspace 1 person show
Transition Gallery Acid Drops and Sugar Candy Surgery Invited at The Old Auction House Installation |
| 2012 |
The Maternal Elephant
Essay to accompany David Webb's show at Transition Gallery, November
Suspicion 'Garageland' September |
| 2011 |
Painting in the Borderlands of Language 'Garageland' July The Fake and the true l'eye 'Garageland' July |
| 2009 | Articulated Artists Interview, May |
| 2007 | Painted Ladies: Some thoughts on translation and the authority of the image, 'Garageland' April ISSN 1749-9267 |
| 1993 | From Orpheus to Abraham, Paper on the early work of Barnett Newman, The Association of Art Historians' Annual Conference |